The multi-layered process of spraying and removing is reflected and at the same time it aims to build a bridge for the aesthetic understanding between graffiti and graffiti art. The conceptual play of the counter perspective, „outside“ and „inside“, is a reference to the the institutionalization of graffiti. The aim of MOSES & TAPS™’s conceptual practice is to increase the aesthetic understanding form graffiti to graffiti art and vice versa.
SCRATCHITI™ is never a finished image but always just an interrupted snapshot in the infinity of transience. The artworks demonstrate the energetic cycle of graffiti and its cleaning process. The last word, however, is always left to graffiti.
Tania Di Brita